11/17/2023 0 Comments Autumn sky artCreating a world where imagination and reality come together. He uses primarily oils and encaustics to create thickly layered canvases with emotive bursts of color. In his work, Acetelli seeks to evoke a feeling rather than depict a defined image. A visceral dance between the conscious and the unconscious until the emotion is expressed.Īcetelli’s paintings may go through multiple incarnations with the past lying just beneath the surface, adding to its overall dimension and depth. He works by continuously building up and tearing down, layer upon layer, adding and subtracting. His application of paint is an extension of that thought process. Capturing the physical mixed with spirituality on canvas. The context of his work he describes as, “Absence and Presence” pertaining to how someone or something can be physically gone, but the essence still remains. Growing up surrounded by his mother's work, she inspired and encouraged him to become an artist.Īcetelli’s paintings are inspired by the intensely personal introspective journey of life, from the ever-changing complexities of love, loss, birth, and death. Mark’s mother herself was a painter and some of his earliest memories were the smell of turpentine and oil paints. Mark Acetelli was born in Detroit into an artistic household. A certificate of authenticity issued by Artplex Gallery is included. Convenient local Los Angeles area delivery. It is signed by the artist on the front of the artwork and titled on the back. The sides of the artwork are painted black and it does not require framing. This original oil painting on canvas is 11 inches high by 14 inches wide. His figurative abstract artworks are represented by Artspace Warehouse in Los Angeles and have been exhibited and collected worldwide, including London, New York, and Hong Kong. Those truths, first obscured and then obvious, aim to engage the viewer, allowing them to explore their own interpretation. His artworks exhibit a chemistry of complexity and spontaneity, a lyrical abstraction of frenzied marks, many of which previously lay hidden, buried beneath strong layers of self-taught expression. Instead, try having distinct areas and visible brushstrokes with a combination of soft edges and hard edges to keep things interesting.Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure they demand a new discovery. It is tempting to keep pushing the paint around, but then all the colours end up in a big grey puddle. In terms of painting techniques, another tendency artists have with skies is to over-blend. So think at the beginning about how you want to depict the sky, how much importance and space you want to give it, and the mood that you are aiming to convey with it. It should be painted in connection with the rest of the painting in order to achieve a convincing and homogeneous result in terms of colours, brushwork, tones and composition. Surface: MDF board primed with three coats of Winsor & Newton acrylic gessoĪ common mistake when painting landscapes and cityscapes is to treat the sky as the last step of the painting, as an afterthought, which makes it look like it doesn't belong with the rest of the scene. Paints: Winsor & Newton Artisan Water Mixable oil coloursīrushes: Rosemary & Co Ivory Filberts (0,1,2,3,4,7) and Ivory Riggers (0,2) The primed boards have a good absorbency. The rounded edges offer a softer application. The brushes used here combine the silkiness of traditional synthetic brushes with the firmer feel of hog bristles.
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